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and uncontrolled mystical powers, Moojie is taken by his father to
his grandfather’s wilderness farm. There, Moojie meets an
otherworldly clan of outcasts that he wants to join. Following a
series of misadventures–magical and mystical–he is summoned by the
call to a great destiny … if only he can survive one last terrifying trial.
Moojie Littleman is being lauded as a classic. A haunting, visionary
tale spun in the magical realist tradition of Gabriel Garcia
Marquez’s One Hundred Years of Solitude and Madeleine L’Engle’s A
Wrinkle in Time, the profoundly unique voice and heart-stirring
narrative recall great works of fiction that explore the universal desire to belong.
At a quarter past seven, the candelabras in the chapel stopped swaying. The nuns crossed themselves, went outside and found a wooden fishing bucket on the porch. Expecting the catch of the day, they were nothing short of horrified to see a baby boy bundled in fur and tucked inside it. He had bright black eyes, enormous ears, and his hair was the texture of caterpillar fuzz.
“He’s a Hostile, if I ever saw one,” said Mother Teagardin.
The word Moojie had been smudged across his forehead. And that was what they called him—a peculiar name for a peculiar boy, who wasn’t particularly welcome. Against her better judgment, Mother Teagardin, who always said the natives were ill-suited for local society, hadn’t the heart to surrender him to the local Bureau of Questionable Peoples. She appealed to the local families to adopt him. But the villagers were a superstitious lot. They believed the mysterious child to be, well, too mysterious.
It didn’t help that before he cut his first teeth, Moojie amused himself by magically snuffing out candles with the blink of an eye, and by sending objects into flight with the power of his mind. When he didn’t get his way, he caused the wind to rip off the nuns’ veils and flash their knickers. Like Odysseus, he was quick to act and slow to regret. Meanwhile, the sisters clicked their clickers, and swatted his bottom, and continued looking for a family for him.
Except for one early chapter of his childhood, Moojie was a virtuosic flop when it came to the only thing he cared about: finding and keeping a family.
This golden parenthesis began just before he was one year old, when Henry and Kate Littleman, a childless couple who had moved from the East Coast to San Miguel—along with hundreds of recent immigrants from Europe and the Far East, since America had opened her doors to the world—took him home to raise as their own. Mamma immediately left her post as a science and French teacher at the Charles Darwin Free School to look after him. Mornings, she tucked him into a knapsack
suspended from a tripod, and went about her housekeeping. He grinned and giggled as she baked bread, smoked little cigars, knitted hats and booties, and arranged his wet flannel diapers on a drying rack near the fireplace. She wheeled him to the beach in a wicker pram, where they collected spider crabs and napped in the salty sand; she rocked him before a glowing wood stove; she bathed and coddled him. He watched Papa, a mapmaker, spin his curta and level his transit, slurp scalding tea,
and leap out the door every morning in a pocketed vest. Sometimes, in the afternoon, Papa played piano for him or showed off his soccer moves in the backyard.
In those days, Moojie was a model child, the ambassador of lovability.
He delighted at being the center of attention, always looking intently into people’s eyes, always smiling, as if he were in on some cosmic joke. In those days—before San Miguel de las Gaviotas had gone the way of Atlantis, that is to say, before it fell out of favor with the gods—Moojie was passed around at church like a peace pipe. Warmed by his charm, suspicious villagers now lined up after the service to take turns holding him. Once Mrs. Littleman contrived a plot to put the smiling Moojie into
the arms of a miserable scrooge, and everyone sighed with awe as the long-suffering soul wept and sang praises to God in heaven.
“Have you noticed, my cupcake?” Mamma said to Papa as she pushed the pram home from church. “This is no ordinary child.”
“He’ll make a fine field hand, lovey,” Papa said.
At the time, San Miguel de las Gaviotas was a nick on the Pacific Coast of America, a clammy, cluttery mishmash of thatched rooftops, crumbling walls, and crooked towers surrounded by rugged mountains that rose out of fog like ancient pyramids. Moojie’s new home, Number 11 Wimbley Wood, a mildewy cottage with a drip line and assorted mushrooms growing in the basement, appealed to otherworldly visitors.
Only Moojie could see the celestial bodies spinning and whirling all about him. And he sometimes heard voices beyond the range of normal hearing —gifts, of course, that he did not yet understand. In the witching hours, lights floated down through the ceiling over his crib. He giggled and tried to grasp them as they bobbed playfully into and out of his hands. Mamma came in and held him in the rocker, while moths and flower flies haunted the spirit lamp—like all that is born, seeking to return to light.
Having landed in the nucleus of love, charming, handsome Moojie surpassed his parents’ every expectation, blessing them with unmitigated joy.
But all of that was soon to change.
teachings. Born in Pensacola, Florida, she grew up in California,
accompanied by seven siblings, and surrounded by horses, real
cowboys, and the occasional rattlesnake. She has always been drawn to
helping others, a trait that began, to her mother’s horror, with
bringing home swallow chicks stricken from their nests. She has
worked as a journalist, lay minister, and infant massage instructor
for mothers and babies at risk. Her studies include Literature and
Creative Writing at University of California, Santa Cruz and Stanford
University’s Writer’s Workshop. She lives with her husband and
son in a Carmel cottage old enough to make you sneeze. “The
Improbable Wonders of Moojie Littleman” is her first published novel.
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